Currently (May 2025), the third theatre laboratory is taking place in Berlin focused on composing music for the first piece titled "The Line".

“The Line” tackles a big, existential question: “What does it mean to be a ‘perfect human’—and why does it feel so... off?”

In a world where people wear metaphorical masks just to get through the day, "The Line” dives into a heartfelt exploration of how we navigate the world that expects us to be perfect when really, we’re all just trying to figure it out. Characters rebel in the smallest ways, like finding profound joy in a piece of cake (because sometimes, cake is the answer), all the while, fumbling through the messiness of human connection, trying to break out of their invisible boxes.

"The Line" is a multidisciplinary physical theatre piece that delves into the alienation and dehumanization caused by societal expectations, exploring the elusive concept of a "perfect human." At its core, the piece critiques how ideals of perfection—rooted in Western capitalist societies and perverted by Nazi ideology—continue to shape modern lives. The play portrays a world where people, trapped in routines, roles, and social masks, slowly lose their humanity. Characters confront the absurdity of their existence, grappling with the weight of societal pressures and their growing disconnection from the authentic, alive selves in an increasingly fragmented world. This exploration of disconnection and the yearning for meaning invites audiences to reflect on their own lives, their roles in society, and the pursuit of authenticity in an artificial world.